Photo of the Hotel Chelsea by Christopher Macsurak used under a Creative Commons license.
Patti Smith, Just Kids (Ecco, 2010).
In 1967, at the age of 21, Smith left her family’s home in rural New Jersey and moved to New York City to find a new life. She found herself hungry, lonely, jobless and poor, but she also found a friend, Robert Mapplethorpe, and the two were soon living together in Brooklyn, eking out a living as artists – if not quite starving, then not far from it. Their lives and careers slowly progressed, and they moved to Manhattan (first to the Hotel Chelsea) and ran in circles with the likes of William Burroughs and Sam Shepherd and Janis Joplin and Allen Ginsburg, and the world was still young. Eventually they become known as Patti Smith and Robert Mapplethorpe, but this memoir is about those days before they were famous, and it captures New York at an epic moment four decades now past. Above all, it is a elegy for Mapplethorpe, who died in 1989.
Here is Smith’s site. Here is Wikipedia’s page about her. Smith talked about the book on NPR’s Fresh Air. It won the 2010 National Book Award for Nonfiction. Spinner has an excerpt. Gerry posts some as well. And here is an excerpt accompanied by a mariachi band. Janet Maslin (New York Times) says it captures a moment when Smith and Mapplethorpe were young, inseparable, perfectly bohemian and completely unknown. Edmund White (The Guardian) says it brings together all the elements that made New York so exciting in the 1970s. Laura Miller (Salon) says it’s utterly lacking in irony or sophisticated cynicism. Elizabeth Hand (Washington Post) says Smith evokes Manhattan’s last great bohemian age so precisely that one can smell the Nescafé boiling on a hot plate. Tom Carson (New York Times) calls it the most spellbinding and diverting portrait of funky-but-chic New York in the late ‘60s and early ‘70s that any alumnus has committed to print. Gina Myers (Frontier Psychiatrist) says its New York is one where everyone seems to be somebody. Carmela Ciuraru (San Francisco Chronicle) calls it one of the best memoirs of recent years: inspiring, sad, wise and beautifully written. Kate Neary (The Thrill of the Chaise) finished it in tears. Crystal was in tears before the first chapter. Christian Williams (The A.V. Club) says it’s rife with snapshots of ‘70s New York cool at its grittiest and most seductive. Roy Edroso (The Village Voice) says it pulls you in, like with Smith’s clarinet experiments, not so much because the thing is well-played but by the force of devotional fervor. Spacebeer says it will melt even the coldest of hearts. Luigi Scacciante recommends it to those interested in art or love or the human condition. Emily Temple (Flavorwire) says Smith is incredibly successful at immersing the reader in a New York where Allen Ginsburg buys you sandwiches and you move to sit in Andy Warhol’s still-warm chair. Nick Kent (The Sunday Times) says Smith tells her story with honesty and elegance. rundangerously calls it one of the best memoirs he has read. Greg Milner (Bookforum) says it’s a vivid portrayal of a bygone New York that could support a countercultural artistic firmament. Michael Horovitz (The Telegraph) calls it a refreshingly clear-eyed chronicle of a counterculture often over-mythologised. But teadevotee says it’s not so much a story as Smith’s contribution to her own myth. Elizabeth Periale (xoxoxoe) notes that Smith has a real sense of New York history. Luke Storms collected the artists mentioned by Smith. Jude Rogers (New Statesman) says it’s essentially a love story. Beth Fish calls it surprisingly tender and moving. Erin Lee Carr gleaned some things. Lee Wind felt more enlightened after reading it, but wasn’t sure how. Mac is still catching up to Smith. Kat says it offers a sneak peek into the inaccessible, narcissistic, pretentious and closed world of popular art, music and words. Adrian McKinty says Smith’s prose is spare and beautiful and her narrative is full of compassion, wonderful details, and humour. Steve A. calls it pure poetry. Tracy Seeley read it on a bus and walked all the way home. Akshay Kapur couldn’t relate to her hardship. John Francisconi calls it a work of alchemy. Stuart Weibel can’t recall a finer testament to love and devotion. Bill regretted misunderstanding what was going on at CBGB’s. Maria Hatling doesn’t want it to end. Nataliejill then heard her music for the first time. Olivia Antsis created a companion blog to the book, and gives (e.g.) context for some of the places mentioned. You can see Smith read from the book here and here. John Siddique posts Smith’s interview on KRCW’s Bookworm show. Here she is on PBS Newshour and interviewed by Charlie Rose. David Ward interviewed her at the National Portrait Gallery in December, 2010. David Pescovitz (Boing Boing) found video of Smith performing in 1976. Angela Carone talked to DJ Claire, who created a sort of soundtrack for the book. Laura Bradley (AnOther) reports that the Hotel Chelsea has been sold and will be closed for a year. Rolling Stone says Smith is writing a sequel.